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Human zoo : ウィキペディア英語版
Human zoo

Human zoos, also called ethnological expositions, were 19th- and 20th-century public exhibitions of humans, usually in a so-called natural or primitive state. The displays often emphasized the cultural differences between Europeans of Western civilization and non-European peoples or other Europeans with a lifestyle deemed primitive. Some of them placed indigenous people in a continuum somewhere between the great apes and humans of European descent. Ethnological expositions have since been criticized as highly degrading and racist.
== First human zoos ==

In the Western Hemisphere, one of the earliest-known zoos, that of Moctezuma in Mexico, consisted not only of a vast collection of animals, but also exhibited humans, for example, dwarves, albinos and hunchbacks.〔Mullan, Bob and Marvin Garry, ''Zoo culture: The book about watching people watch animals'', University of Illinois Press, Urbana, Illinois, Second edition, 1998, p.32. ISBN 0-252-06762-2〕
During the Renaissance, the Medicis developed a large menagerie in the Vatican.
In the 16th century, Cardinal Hippolytus Medici had a collection of people of different races as well as exotic animals.
He is reported as having a troup of so-called Barbarians, speaking over twenty languages; there were also Moors, Tartars, Indians, Turks and Africans.〔Mullan, Bob and Marvin Garry, ''Zoo culture: The book about watching people watch animals'', University of Illinois Press, Urbana, Illinois, Second edition, 1998, p.98. ISBN 0-252-06762-2〕
One of the first modern public human exhibitions was P.T. Barnum's exhibition of Joice Heth on February 25, 1835〔(Joice Heth )〕 and, subsequently, the Siamese twins Chang and Eng Bunker. These exhibitions were common in freak shows. However, the notion of the human curiosity has a history at least as long as colonialism. For instance, Columbus brought indigenous Americans from his voyages in the New World to the Spanish court in 1493.〔("On A Neglected Aspect Of Western Racism" ) by Kurt Jonassohn, December 2000, Montreal Institute for Genocide and Human Rights Studies〕 Another famous example was that of Saartjie Baartman of the Namaqua, often referred to as the Hottentot Venus, who was displayed in London and France until her death in 1815.
During the 1850s, Maximo and Bartola, two microcephalic children from El Salvador, were exhibited in the US and Europe under the names Aztec Children and Aztec Lilliputians.〔Roberto Aguirre, ''Informal Empire: Mexico And Central America In Victorian Culture'', Univ. of Minnesota Press, 2004, ch. 4〕 However, human zoos would become common only in the 1870s in the midst of the New Imperialism period.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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